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Distillo
In her debut collection, Basma Kavanagh engages the natural world and seeks to explore our relationship to it. Hers is a poetics of description which subverts scientific observation and the authoritative language of nomenclature for mythopoetic ends. In the opening section ("Moisture"), precipitation is dissected and categorized, but ultimately the deluge of "rain making rain, /making rain" overwhelms controlled interrogation and undulating imagery saturates everything. Nomenclature reappears elsewhere in the book, attempting to anchor object poems about west-coast flora and fauna-salmon, elk, bear, bigleaf maple, bog myrtle-which otherwise drift toward the mythworld and gesture in the direction of the ethereal and the totemic. Understanding that language can be most precise when it harbours ambiguity and surprise, Kavanagh experiments with pattern poems and the layering of multiple voices in her attempt to express "a fullness /an absence /of self." This is a book which turns over rocks and looks under them in search of truth in its soft, damp hiding places, poems which instruct us to "[d]escend. Blend /your knowing with the breath of earth".
The Sentimentalists
Haunted by the horrific events he witnessed during the Vietnam War, Napoleon Haskell is exhausted from years spent battling his memories. As his health ultimately declines, his two daughters move him from his trailer in North Dakota to Casablanca, Ontario, to live with the father of a friend who was killed in action. It is to Casablanca, on the shores of a man-made lake beneath which lie the remains of the former town, that Napoleon's youngest daughter also retreats when her own life comes unhinged. Living with the two old men, she finds her father in the twilight of his life and rapidly slipping into senility. With love and insatiable curiosity, she devotes herself to learning the truth about him; and through the fog, Napoleon's past begins to emerge.
Generations Re-merging
"Each generation must make their own / journey through a thick terrain" starts Generations Re-merging, a collection of poems which explores the complex tangle of intergenerational relationships and cultural issues encountered by a Mi'kmaw woman in the modern context, "where every moment / is the loss of something." Alert to the fragility of community and culture, and to the pervasive threats against the natural and social environments which have traditionally fostered them, shalan joudry writes with lucidity of the challenge of confronting these global issues personally on her home ground, and of honouring the hope of past generations by renewing it in the present.
Gaspereau Gloriatur: Poetry
After much debate, the editorial staff at Gaspereau Press rejected the idea of marking our tenth anniversary with commemorative trinkets, deciding instead to do what we do best-books! This spring we are releasing the first volume of our three-volume Gaspereau Gloriatur: Book of the Blessed Tenth Year. Volume one celebrates the very best poetry issued from our presses. Our editorial team has been sifting back through the catalogue, through full-length trade titles, limited editions, letterpress books, Devil's Whim chapbooks and broadsides. We've also collected some of the poems that have mischievously snuck into books of prose over the years. Since 1997, Gaspereau Press has published some of ...
The Stone Canoe
This is a story about two stories and their travels through the written record. The written part begins in the mid-nineteenth century, when Silas T. Rand, a Baptist clergyman from Cornwallis, Nova Scotia, took as his task the translation of the Bible into Mi'kmaq-the language of the indigenous communities in the region. In the process of developing his vocabulary, Rand transcribed narratives from Mi'kmaq storytellers, and following his death, 87 of these stories were published in a book called Legends of the Micmacs. As his understanding of the language grew, Rand began to translate the stories as he heard them, and to record them in English. Until recently, it appeared that none of the earl...
Smoke Proofs
Why do we accept shoddy books? This is the question at the heart of Smoke Proofs, a collection of six essays and one interview which takes a frank look at the state of the art of literary publishing, printing and book design in Canada. Ranging from the philosophical and the historical to the nuts and bolts of making books and getting them to market, Smoke Proofs argues for an approach to trade publishing which returns to its printerly roots, one in which the characteristics of various tools and techniques are considered alongside the broader implications of their use in the culture. Whether he's discussing ebooks, the de-professionalization of typography, the design of poetry books, the fetish for colour pictures on book covers, or our complicated relationship with the notion of 'beauty', Steeves continually points the reader back to his or her own responsibility for the preservation and use of that amazing, wily and robust cultural tool-the book.
Eva's Threepenny Theatre
In an unusual fiction about memoir, Andrew Steinmetz tells the story of his great-aunt Eva who performed in the first workshop production of Bertolt Brecht's masterpiece The Threepenny Opera, in 1928. Steinmetz takes the story back to Eva's childhood in Germany, with her invalid mother and domineering siblings. Her training as an actress began just after her graduation from high school, and her introduction to the philosophies of Brecht and his contemporaries soon followed. With the pronouncement of the family's Jewish origins, both Eva and her brother left Germany to escape Nazi rule, Eva eventually settling in Canada. In their sessions with the tape recorder running, we see Steinmetz's own...
White Salt Mountain
In this remarkable follow-up to Spar: Words in Place (Gaspereau Press, 2002), Peter Sanger explores the scope of words in time. Offering significant new material to the study of linguist Silas Rand and poet John Thompson, Sanger introduces Susan Barss and Florence Ayscough, notable but largely unsung contributors to Rand's and Thompson's work. With the same passion for reading and exploration, along with several of the neighbourhood landmarks, symbolic imagery and literary influences that first emerged in Spar, Sanger joins the lives and work of key authors and translators in Canada's literary history. Sanger's unique and far-sighted approach to words and time illuminates critical intersecti...
And I Alone Escaped to Tell You
The settlement of African peoples in Nova Scotia is a richly layered story encompassing many waves of settlement and diverse circumstances-from captives to 'freedom runners' who sailed north from the United States with hopes of establishing a new life. The poems in And I Alone Escaped to Tell You endeavour to give these historical events a human voice, blending documentary material, memory, experience and imagination to evoke the lives of these early Black Nova Scotians and of the generations that followed. This collection is a moving meditation on the place of African-descended people in the Canadian story and on the threads connecting all of us to the African diaspora. Finalist for the 2015 Gerald Lampert Memorial Award for Poetry.
